22 October 2012
Escaping to the movie theatre
This weekend's picks were Looper and Seven Psychopaths. Both were selected due to the convenience of their starting time, but I also got a recommendation for the second one. I enjoyed both. Looper is a time travel movie and it's best to see it without knowing too much about it. Everyone already knows that Joseph Gordon-Levitt and Bruce Willis play the same character, 30 years apart. I found the makeup effects on JGL a little disconcerting (particularly the eyebrows), but there were moments when he did BW so well it was eerie. The city that JGL lives in is 30 years or so in our future and you can see from the visuals how things are going to go for us. And it's not good. The time travel aspects would make for very interesting post movie discussions over drinks, and I think there are some holes in the reasoning that won't stand up to much scrutiny. However I thoroughly enjoyed the movie despite them. It's quite a violent movie, and a little gory in parts, but there are quiet moments as well and JGL is such an excellent actor that despite his character being really not a nice person, you start to hope for him to figure out how to get out of his dilemma.
Seven Psychopaths is even MORE violent than Looper and gorier. It's also really funny. I'm not sure there's much substance beneath the humour and violence, although I think the writer/director wants us to find some. Martin McDonagh is a playwright who has made quite a splash in the theatre world. His script is intelligent and twisty and a lot of fun. Colin Farrell plays the straight man who we observe the action through. Sam Rockwell and Christopher Walken are incredible. I don't want to give too much away since this is one of those layered movies where you learn how things interconnect as it goes along. Don't get up right away when you see the credits. It's not quite over yet.
20 October 2012
Alice's Adventures
The creators of this show are Christopher Wheeldon on choreography, Joby Talbott on music and Nicholas Wright on story. The scene starts in Victorian England at a tea party where Lewis Carroll is entertaining the Liddell sisters with stories. The action takes a turn for the surreal when Carroll turns into a rabbit and takes Alice Liddell down into the cake and an alternate world. The design of the sets, creating the sensations of Alice in this topsy-turvy world, really capture the various adventures she runs into and the characters are ingeniously created. All the costumes were wonderful, contributing to turning beautiful ballet dancers into rabbits, caterpillars and all of the other familiar creatures. Sonia Rodriguez danced Alice and she was on stage almost the entire show. She had some wonderful pas de deux with Guillaume Cote as the Knave and conveyed the gangliness of a teenager beautifully. Greta Hodginkinson as the Queen of Hearts had a hilarious variation that was a parody of the famous Rose Adagio from Sleeping Beauty. The music was perfectly evocative of each new twist and turn. The audience was clearly thrilled as they applauded each new scene and effect (the Cheshire Cat was particularly appreciated). A lot of kids were at the show and it was fun to see them at intermission jumping and dancing around, imitating their favourite scenes.
NBOC brought a huge cast, and I can't imagine how long it took to put these sets up. Bravo to the Music Center for bringing this to LA.
12 October 2012
Endeavour's slow roll down the streets of LA
Here are some pics I took, plus a couple of videos.
Update: I had been spelling the shuttle's name without the 'u', then I realized I was spelling it wrong. I thought it was odd, since the 'u' is stripped out of other words. Apparently the shuttle is named after Captain Cook's ship, which of course was an English ship.
22 September 2012
Space shuttle fly over
Luckily for me, our building's facilities staff are part of our department, so I joined a few people on the roof of our building (building engineers, security installer, random employees who know how to get up there, and the cafeteria's chef). Unfortunately I didn't have my long lens (I'd lent it to a friend, and forgot to get it back).
The day was hot and our small crowd milled about waiting, checking Twitter to see where the shuttle was (Sacramento! Golden Gate bridge! Mountain View!) and noticing the roofs of neighbouring building being slowly populated (including the tops of a couple of the sound stages on the lot). A small car fire created a mini diversion during the wait. The tweets started to note sightings in Malibu! Santa Monica! downtown LA! We were surprised by the order of fly over sights. Finally, sighted in West Hollywood! And then the person with the best eyes saw the glint in the distance. It started as a small smudge in the sky over the hills past Universal Studios. It looped over the studio and flew eastward toward Griffith Observatory which is on the hill behind WB Studio. We expected it to then head to Pasadena (nod to JPL) but instead it looped back our way!! Everyone got so excited as it headed towards us flying over Burbank and eventually directly over our heads! The shuttle flew with two jets and the trio reminded me of films of large fish, sharks, whales, etc that trail small cleaner fish behind them. It was absolutely breathtaking, majestic and beautiful.
Here's a link to the photo sequence.
16 July 2012
War Horse
08 July 2012
Last day of camp
My lunch was missing which really annoyed me to no end but Joyce, Gigi and Carol were kind enough to share parts of theirs.
After saying our goodbyes and returning to the hotel to clean up, change and pack, we headed to an area of Portland called the Alberta neighbourhood, which Susan Mikota had recommended to us. Turned out to be a very hot day in Portland and the neighbourhood was delightful, with cute little local shops. We were steered to Salt and Straw for ice cream. I had their special flavour of the day, cherrywood smoked sea salt with chocolate covered feuilletines (to die for!) and local wild berries. Huge scoops, so it made up for the lunch fiasco. We brought our ice cream to Barista for coffee and sat and recapped some of our thoughts on this camp. It was interesting how different our feelings, conclusions and concerns were, with each of us having very different goals and expectations. Amazingly, we all got through the week with no injuries, hurt feelings or other accidents!
Much as I love camp though, and it's always slightly depressing come home, I was really glad to sleep in my own bed.
I didn't take a ton of photos (too busy dancing) but here's a link to a few.
Performance day
After lunch, costume changes, and makeup, we did the three pieces that we had prepared. The pas de deux went beautifully. I did the official taped version much better than the run through, which is a minor miracle. Same thing with the variations, although I did miss a couple of places, but in our group of six, we managed to be mostly in unison and with no more than one of us flubbing something at any one time. During the repertory piece, I had to make a quick on-the-spot adjustment due to a misplaced fellow dancer, but our timing was perfect and everyone did their special spotlight wonderfully! I wasn't sure if I wanted to DVD but based on how well we did, I decided did want a copy.
We had time to relax, clean up and change for a nice dinner in Portland at an old establishment called Huber's. The food was quite good, again wonderful service and great company, with Heidi, Chris and the teachers all joining us.
Evenings in Vancouver and Portland
One night, we coordinated a trip to the Pearl District in Portland with the Southern California contingent and found a delicious Italian restaurant to take over, Via Delizia. Again, we overwhelmed the place but were served by attentive friendly staff. We found the food to be absolutely delicious and their tiramisu was top notch. We thought we missed out on gelato due to a busted freezer, but they managed to scrape up some amaretto to go with the tiramisu.
In Vancouver, there was a nice inexpensive Thai restaurant near the hotel that we could walk to. The other mainstay was the Black Angus which was on the same lot as our hotel. On Wednesday, the 4th of July holiday meant that almost all the local establishments were closed so a group of 13 or 14 of us descended on the place. We were joined by Scott and Randall, which gave me a chance to find out Scott's story a little (and an interesting one it is, too). After dinner, a few of us headed to the local Fort where their big fireworks display was to take place. When it turned out the admission was $7 dollars, a few of us turned around and headed back to our hotel. From our window, we could see about 10 displays across the horizon. Not only that, but fireworks are legal in Washington so there were some rockets being set up right in the hotel parking lot! The various displays went on for a good three hours!
Aside from the holiday evening, we rarely saw more than a handful of people on the streets. It was so desolate, as to be a little weird. I can't quite figure out how the shops stay in business.
Since almost all of the camp contingent was staying at the same hotel, we often saw them at breakfast or in the lobby. I had breakfast every morning with the trio from Vancouver, Canada, as it turned out we were the late risers!
Unfortunately I was not at all pleased with the hotel. The beds were soft and uncomfortable, the bathrooms were not properly cleaned and they were constantly skimping out on towels. After hearing from other campers, we suspect the cleaning staff on our floor was the deficiency.
Dance camp in the studio
In the afternoon, we had arabesque class which was great, with some nice tips for stretching the back. The transitions class was a chance to focus on pas de bourrees with Randall (although I thought the class was too short). A port de bras class didn't involve enough instruction for my taste.
Wednesday was our first partnering class. We had heard that Heidi had a challenging time finding partners, but she had a couple of great guys, including Scott T who was nice, tall and was great to work with as we learned Randall's beautiful choreography, and figured out how best to work with each other.
01 July 2012
Dance camp in the Pacific Northwest
After classes and a quick grocery store run, we had dinner at the Black Angus which is next door to our hotel with most of the So Cal gang plus Robin from Chicago.
Then it was to our rooms to stretch and roll out our sore muscles, take some advil and watch some Olympic gymnastics trials.
24 June 2012
Herb Ritts
We dined at The Restaurant at The Getty. There's a beautiful view of the hills (it was an incredibly clear day) and the sun setting behind it. This is a pricey place, but the setting is beautiful, service was pleasant, and the food was absolutely delicious.
08 June 2012
Bolshoi Swan Lake
The Bolshoi is in town for a short stint performing Swan Lake. They haven't scheduled any of their stars, but the main reason to see this company do this ballet is for the corps. This was the most unified, synchronized corps I have ever seen. During the four little swans, they were so together even their feet were synchronized. Our seats were way up in the rafters (we got our tix late and the show sold out) so while we were quite far away, we could see how beautiful the patterns were created by this impeccable corps.
The leads were technically proficient however I find Bolshoi lead dancers to be a little impassive and they can feel a little cold. The costumes were also a little odd. Some of them were beautiful and sparkly, however others had weird fabric bits scattered on the skirts.
03 June 2012
The Follies
13 May 2012
Cedar Lake returns to UCLA
This company has such amazing, strong dancers. It was a joy to watch them in all three pieces. This is also one of the few companies that I know of in the US that works with contemporary choreographers (in the way that European companies like NDT do) and it's exhilarating to watch. They are based in NYC and supported by a WalMart heiress, so kudos to her!
28 April 2012
Guatemala trip photos
Lago Atitlan was mentioned in this article about places to travel to mark the end of the Mayan calendar.
27 April 2012
Guatemalan send off
Exploring Antigua
Antigua
24 April 2012
The "big city"
Santiago
Ex-pats and family friends
20 April 2012
Visiting around Lago Atitlan
19 April 2012
Arriving in Guatemala
02 April 2012
SF Ballet Program 6
The second piece is Raku, new from last year. The music is by a member of the SF Ballet Orchestra, the story set in ancient Japan based around a love triangle at a temple. We were lucky to see Yuan Yuan Tan perform the female role. She's remarkable for her flexibility as well as expressiveness. This is a beautiful, tragic piece with strong dancing by all three leads. The set uses moveable pieces with projection to good effect. This is a knockout newer piece for the company, in a contemporary vein but maintaining a story line.
The third piece is brand new this year and choreographed by the artistic director of the Scottish Ballet, who I saw last year and thoroughly enjoyed. The music is John Adams. Four pairs of dancers are highlighted in the piece, with various groups of corps dancers in the background. Everyone wears shorts unitards with varying colour schemes. The costumes were great for highlighting the dancers muscularity, but I found it hard to tell individuals apart and the soloists from the corps. The dancing was fantastic (the company is full of strong dancers) but the music wore on me after awhile. While this piece is contemporary like the second one, it's more abstract with very little sense of story (aside from whatever each individual audience member may read into it).
17 March 2012
Barre Vermont's cabaret shows
Last night I finally went to see what this show was all about. I really had no idea what to expect. I just knew if it had to do with Baz's movies, I wanted to check it out. They crammed the narrow space with as many tables and chairs as they could. There's a sound booth at one end, a small stage for a band at the other, stage lighting on the ceiling, a small platform in front of a red curtained niche and steps leading up to the bar itself. There is barely enough room for people to pass between the tables.
The show started with Romeo + Juliet. Interspersed among the songs from the movie is Shakespeare's actual words. They condensed the story into about 1/2 hour but managed to capture the essence of the tale. The performers are very talented. They have to sing while weaving in and out among the crammed tables and avoiding waiters bringing food and drink and the occasional patron coming and going. Since the performers are pretty much right next to you, they have the opportunity to interact and react to things going on in the audience. There is a feeling of being in the show unlike any other. After R+J, they did a few songs from Strictly Ballroom and managed to convey the weird humour from that movie brilliantly in a short period of time (as well as conveying the idea of ballroom dancing without actually having room to dance). The second half was all Moulin Rouge. As with the first two sets, the story is told through the songs while echoing the look and feel of the movie. For instance, in the movie there are a couple of scenes when the character of Toulouse-Lautrec is seen outside the window from where the main action is happening. At Barre, the performer playing TL climbs a tree outside the front window and sings from there (we hear it inside).
The venue is expanding into the adjoining restaurant soon, so there will be some elbow room in the future. I'm curious what they do with a director whose movies are less directly musical than Baz's. All in all, this was a fun and unique evening, one of those things that feel like you could only find in LA.
14 February 2012
Ballet de Monte Carlo
04 February 2012
dineLA February 2012
My first stop was M Street Kitchen on Main Street in Santa Monica. I haven't been to Main St. in ages, mostly because parking is a pain. (BTW, if you've seen the 'S**t people in LA say' video, all of that car/parking stuff is absolutely true!) This is a casual comfort food restaurant with warm friendly service. The food was very tasty and my small group sat at our table for quite awhile talking without feeling rushed (it helped that we were there on a rainy Monday). There is an attached pizza restaurant and bar.
My second stop was Picca, a new Peruvian small plates restaurant. The dineLA menu was not typical of their everyday menu but the food was incredibly tasty and the place has a great noisy vibe. Peru gave the world the potato but there wasn't a lot of it on the dineLA menu. I had a delicious rice and mushroom dish called tacu tacu. One of my friends had a quinoa quiche which was also really good. I definitely want to come back here and try the regular menu. This would be a place to come with a big crowd.
My third stop was Enoteca Drago. I was in Beverly Hills with some friends and found this on the dineLA website. Celestino Drago has two other restaurants, one in Santa Monica and one downtown, and always has dependably excellent Italian food with great service. The Enoteca is a little more casual than the other locations. We got a nice table on the sidewalk on a warm night and enjoyed top notch Italian food. My friends had their wine pairing which was a great value. The streets of BH are quiet at night, but you still need to two hands to count the Italian luxury sports cars driving by, your fellow diners are might be kind of interesting, and there may be a strolling trio of musicians across the street looking for some tips in exchange for a song.
The fourth stop was dictated by its proximity to the Santa Monica pier, as I was going to see the latest Cirque du Soleil show, Ovo. We chose Il Fornaio which is a dependable Italian chain. The Santa Monica restaurant has a nice outdoor seating area right across from the pier. The service was a little spotty but picked up once we made our presence felt.
The fifth restaurant was Cleo, which I'd been to for a previous dineLA. I loved it the last time I was here and they did not disappoint this time. This was the restaurant that showed me that brussels sprouts could be edible and delicious. The dineLA menu consists of a selection mezze and we chose the hummus, baba ganouj and cucumber/yogurt dip plus the spicy cigars. These come with a fresh baked laffa bread. I could just eat dips and bread all evening. My main course kebabs were delicious as was the side of rice. Their signature dessert is the sticky toffee pudding which is rich, thick, sweet and will make you want to lick the plate. This was the winner out of all my dineLA meals.
The final meal was at AOC which I've been wanting to go to for a long time. The chef Suzanne Goin made her name here. This is another small plates restaurant, so again their dineLA menu is not totally typical. The food was really good, but a little disappointing in that while the ingredients were all incredibly high quality and fresh, there was nothing particularly exceptional about them. The service was certainly nothing special for a restaurant of this calibre, I found the server a little brusque. The timing was off as one of our party had to wait quite awhile for her entree while the rest of us sat with our dishes getting cold. I imagine timing is not something that is typically a consideration for a small plates restaurant, but I would've thought some special instructions would've applied to dineLA meals. Unlike the main part of the meal, the desserts were exceptional, so the meal ended on a high note.
28 January 2012
Metropolis II
Check out some pics that I took (and a couple of videos as well).
02 January 2012
Holiday movies
Dragon Tattoo was a favourite book of mine and I swore that I wouldn't see the American movie, convinced that they would sanitize and dumb it down. Instead, they captured a lot of what made the book so enticing. Rooney Mara was amazing as Lisbeth Salander, Daniel Craig managed to tamp down his James Bond charisma a bit and the higher quality production values (i.e. bigger budget) made for a great looking and sounding movie. One of the main benefits for us English speaking folks for this version over the excellent Swedish version is not having to read subtitles, which creates a certain distance when watching a movie. There is an inevitable delay and distraction between mentally processing the reading while you are watching the visuals that is no longer there when the actors are speaking in your native tongue, especially in such an action packed movie.
I saw Hugo in 3D and I highly recommend you do the same. The visuals are stunning, Martin Scorsese uses 3D not as a trick special effect but as another tool in his artist's palette. While there are a few moments of things coming at you from the screen for amusing effect, many more times, the added dimension simply creates levels of details that draw you into the atmosphere of the story. I am not familiar with the original children's book, but it's a wonderful and heartwarming tale where an unwanted boy helps a lonely old man, and finds a home in the process. There is a lot of movie history told here (and I wondered how interesting that really would be for kids) and some great action sequences in a Paris train station.
A Dangerous Method is a highly intelligent movie but it's origins as a play are not overcome in the translation to the big screen. The movie just seems very static and talky (I know, I know, it's the 'talking cure'). Keira Knightley's depiction of her character's hysteria seems overwrought and old-fashioned. Maybe this is really what hysterical patients acted like, but I found it hard to reconcile it with my modern sensibilities. Viggo Mortensen and Michael Fassbender are wonderful actors and the two of them are entertaining on screen, but movies are a visual medium and this movie didn't take advantage of that quality.